Opening art dinner prep
What we make.
Bruxelles · Miami · Bostone · Paris · LA · Lisbonne
03 / 14
Bruxelles · Miami · Bostone · Paris · LA · Lisbonne
Yanis Sabir builds at the intersection of code, sound and art. From Yale's nanotechnology labs to Electric Lady Studios in New York, his career has been a single straight line: making technology disappear so that what's left is something you feel.
At Burning Man 2018 he co-built a twenty-metre heart-shaped sculpture with Aaron Fowler, more than a thousand speakers wired so that every visitor heard their own heartbeat inside the piece. He later led LaDegen, the crypto racing game built with Stake Capital and Blackpool, and ran his own audiovisual production house, Kinofone.
Jeremy aka Hadone is one of the most interesting new artists emerging from France. He has burned through several clubs in the last few months and shows no signs of cooling.
Producing for three years, he draws from every kind of music and field of creation he touches. A lover of dirty and fat rhythmics, raw and pretty straight forward, Hadone sits at the perfect intersection of nineties killer tracks and the finest new techno.
Aaron Fowler turns car parts, hair weaves, CDs and ironing boards, the overlooked material of American Black life, into 19th-century history paintings rewritten from the inside. The New Museum bought him. So did the Rubell, the Hammer, the Studio Museum in Harlem. Yale gave him an MFA.
Dense, layered, unapologetically large. His work addresses American history, Black identity, hip-hop, and the deeply personal.
Antoine Grenez photographs the hidden architectures that hold the visible world together. His practice slows perception until matter, energy and time stop being interchangeable. Photography as active contemplation, not capture.
Drawing from anthropology, symbolism and mythopoetic thinking, he restores an empathetic link between viewer, nature and technology. Precise framing and the repetition of gestures become quiet forms of resistance against acceleration.
Mia Von Dalz works inside a paradox: egocentric creativity colliding with social conscience. A nervous delirium about the political role of art, biting and humanly irritating, resolutely non-dogmatic. Started painting rave decor at fourteen, never stopped letting underground and institution rub against each other.
Founder of CHANOIRS, the Brussels collective fifteen years deep across visual art, fashion and performance. Stages whole spaces as work: rehabbed buildings, immersive scenographies, set design for the houses he then steps out of.
Peter Emanuelov points his camera at people and spaces until they become something between fact and myth. Fine art photography, documentary, music video. Published in Vogue Italia, Dazed, Aesthetica Magazine, The Lone Palm, Promonews.
Spectral Memories, his first fine art series, premieres as a Brussels solo at Twenty Seven Gallery in autumn 2026, after digital release at York Art Gallery for the Aesthetica Art Prize.